The first aspect to address when there is mention of the word modern is to establish what it actually means. Many people often confuse the contemporary styling and design, in particular, as that. There is a distinct styling and design of modern furniture which also has a place in design history. This is often copied and revived.
Modern and this period are two totally different periods in art and design and this applies here as well. It does not mean that it cannot be contemporary as there are many interpretations which could make it fit into the category under discussion. It would, however, have to fall in a certain design style to be called that and it has to do with a number of factors.
Some of the aspect you would have to look at is the fact that the designers of the time used shape, color, line and materials to interpret their designs. Basic shapes such as squares, circles and rectangles were employed. Many people have turned to these designs in this century with renewed interest. It has been used in many homes as part of its decor or as a unique styling of the entire home. It is simple, practical and stylish.
Apart from the straight lines, squares and rectangles, they also introduced curved lines. The different aspects include sofas, chairs, cupboards and tables. The materials are also an indication of the period which is vinyl, plywood, acrylic (which was also available in transparent form) and chrome. The vinyl was used in place of leather and the legs of were most often in tubular chrome. The seating was more likely to be in colored acrylic or vinyl. The idea behind this was for practicality and affordability.
It can especially be recognized by the use of neutral colors such as black, white and gray with primary colors and secondary colors interspersed. One other aspect of this type of chairs, tables and sofas are that they are also modular (including the some accessories). The most important aspect, though, is that it encapsulates the period of the fifties and the sixties.
The contemporary interpretation of this period, leaned heavily on designers such as Le Corbusier, Josef Hoffman, Arne Jacobsen and Eero Aarnio among others. Le Corbusier is captured in the square chair with chrome casing and its leather seating. Josef Hoffman's chairs are revived in the Kubus styled chairs for which he was famous.
Arne Jacobsen was known for his swan chairs. Eero Aarnio created the ball chair which was revived many times over in the last few years which included the hanging transparent ball chair. The best thing about this is that it has a lot to do with style, but for the most part modern furniture Toronto was also comfortable as these designers were highly trained.
Their designs not only appealed to the senses but it was also ergonomically well-suited. The interpretations can only be exact if it is to capture that essence. It is especially very relevant as in the case of Le Corbusier who used the golden ratio in his designs.
Modern and this period are two totally different periods in art and design and this applies here as well. It does not mean that it cannot be contemporary as there are many interpretations which could make it fit into the category under discussion. It would, however, have to fall in a certain design style to be called that and it has to do with a number of factors.
Some of the aspect you would have to look at is the fact that the designers of the time used shape, color, line and materials to interpret their designs. Basic shapes such as squares, circles and rectangles were employed. Many people have turned to these designs in this century with renewed interest. It has been used in many homes as part of its decor or as a unique styling of the entire home. It is simple, practical and stylish.
Apart from the straight lines, squares and rectangles, they also introduced curved lines. The different aspects include sofas, chairs, cupboards and tables. The materials are also an indication of the period which is vinyl, plywood, acrylic (which was also available in transparent form) and chrome. The vinyl was used in place of leather and the legs of were most often in tubular chrome. The seating was more likely to be in colored acrylic or vinyl. The idea behind this was for practicality and affordability.
It can especially be recognized by the use of neutral colors such as black, white and gray with primary colors and secondary colors interspersed. One other aspect of this type of chairs, tables and sofas are that they are also modular (including the some accessories). The most important aspect, though, is that it encapsulates the period of the fifties and the sixties.
The contemporary interpretation of this period, leaned heavily on designers such as Le Corbusier, Josef Hoffman, Arne Jacobsen and Eero Aarnio among others. Le Corbusier is captured in the square chair with chrome casing and its leather seating. Josef Hoffman's chairs are revived in the Kubus styled chairs for which he was famous.
Arne Jacobsen was known for his swan chairs. Eero Aarnio created the ball chair which was revived many times over in the last few years which included the hanging transparent ball chair. The best thing about this is that it has a lot to do with style, but for the most part modern furniture Toronto was also comfortable as these designers were highly trained.
Their designs not only appealed to the senses but it was also ergonomically well-suited. The interpretations can only be exact if it is to capture that essence. It is especially very relevant as in the case of Le Corbusier who used the golden ratio in his designs.
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"If your home needs of a new look than Modern Sensibility, 380 Alliance Avenue, Toronto, ON M6N 2H8 (416) 760-7632, is the store for you. Their selection of condo furniture Toronto and sectional sofas Toronto are specifically designed for small spaces."
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